Showing posts with label Heston Blumenthal. Show all posts
Showing posts with label Heston Blumenthal. Show all posts

Wednesday, 4 June 2014

The Hinds Head, Bray


Last weekend I was very kindly invited over to the Chase farm and distillery in Herefordshire, where they have been working on a very exciting new project with the Pizza Pilgrims guys - a limoncello, made with real Amalfi lemons. It's going to be great, like everything Chase do (I am a fervent fan of their marmalade vodka), with a lovely smooth taste of fresh citrus and naturally cloudy (this is a sign of good limoncello, apparently, and why most supermarket versions use clouded glass to disguise their inferior product). But this post isn't about Chase, or Pizza Pilgrims, or even the fantastic local Hereford beef I tried in the Verzon hotel (a revelation). This post is about a reservation we made on a whim for lunch on the way back into London on Sunday, at a pretty old pub in the commuter town of Bray.


OK, so, the Hinds Head is hardly unknown. The owner is Heston Blumenthal, arguably one of the most famous chefs on the planet, and has been part of the Fat Duck group for a decade. Last year, as well, it won a Michelin star, which won't have hurt its profile, and let's not ignore the fact that it's situated slap-bang in the middle of Bray, a town most famous for hosting two 3* Michelin restaurants and where the income of the local population seems to sit somewhere between Richard Branson and the Crown Prince of Dubai. This is a place that would never struggle to get by.


That it impresses on pretty much every front, then, is not just a surprise but a delight. The temptation would surely have been there to rely on the Blumenthal name to draw in the punters and serve a menu of Fat Duck Lite, perhaps snail porridge and liquorice smoked salmon and desserts with popping candy and dry ice, keep anyone too impatient to have a reservation over the road happy, and make some easy money. Or even go down the Ramsay/Oliver route of a proto-chain, laminated menus and short-order food with an eye on a nationwide rollout.


Instead, the food at the Hinds Head is unique, classy and full of personality, a million miles away from the usual celebrity chef fare and one of the most enjoyable lunches I've had in many years. It's best described as a sort of fantasy gastropub, with favourites like Pea & Ham Soup and Shepherd's Pie given a complete ground-up reworking, tweaking and the full range of clever cheffy techniques to make every element of every dish the absolute best it can be.


Take, for example, the straightfoward-sounding "Soused Cornish mackerel, grapefruit, radish and spring leaves". Sounds attractive enough on paper, summery, familiar, safe. Not so. The meticulously bone-free fillets of mackerel were not just gently (and very successfully) pickled but also - I think - roasted over an open flame, giving the skin a great crunch and colour. The vegetables performed a medly of form and texture, the soft grapefruit and bitter leaves combining particularly well, and a few slivers of fried bread added yet another level of interest. A joy.


"Cured duck salad" was, again, on paper a gastropub standard, but pimped by the Hinds Head into something approaching a masterpiece. The translucent folds of cured duck were extraordinary enough by themselves, a real achievement by whoever's in charge of this stage of the process. But it came with a precisely soft-boiled quail's egg planted in a blob of heavenly truffled mayonnaise, and a selection of wonderful summer vegetables, asparagus and artichoke and the like.


And completing the perfect trio of starters was this, "Hash of snails", which placed lovely meaty molluscs (gastropub gastropods) on fried bread just the right distance between crunchy and chewy, and was topped with toasty roast pistachios and fennel. And doesn't it just look beautiful? One of the very nicest things I've ever had the pleasure of eating.


We also found room for a Hinds Head Scotch egg, which was still every bit as good as I remember from when they entered the Ship Wandsworth's venerable Scotch Egg Challenge and came a very creditable 2nd place back in 2012. Soft, moist meat, a greaseless coating and - of course - perfectly runny yolk inside.


I know there'll be some people who see the photos of these roasts and think the portions look a bit on the small side. I think the problem is that as a nation we're used to piling our plates sky high with commodity beef and packet gravy in some misplaced idea of "value" when in fact it would be a lot better for all concerned if we just ate a normal portion of much, much better ingredients. So here's (not very good photo sorry, I do still make mistakes despite my new hardware) a gorgeous roast pork collar with a little sausage of stuffing, a pork cracker - very clever - and with it a compote-like silky apple sauce and gravy so good I wanted to eat it like a soup. And, in fact, did.


Roast beef was every bit as good. Quarter-inch slices of rare aged beef of obvious quality, and a delicate Yorkshire pud like the fanciest French patisserie. Potatoes were hardly anything so straightforward as roasted; they were golden-brown casings of delicate chip containing an interior so soft and creamy it was as if they'd injected it with butter mash. Who knows, perhaps they had. As with the pork, each element of what would otherwise had been a standard Sunday roast had been pumped-up, tweaked and upgraded to the very best you could possibly imagine it could be.


Oxtail and kidney pudding sat in a bowl of glossy reduced stock gravy, and contained the richest, most powerful mixture of oxtail studded with bouncy chunks of kidney. For once I'm going to let the pictures do the talking here - I bet you can almost taste it yourself.


Desserts now, and each came with a little bit of paper explaining the history of the dish. One of us thought it might have been rice paper and I nibbled the corner to check. It wasn't. So apologies for whoever got the slightly eaten description after us but though backstory is interesting, far more exciting was what was on the plate - a panacotta-style dairy pud studded with vanilla, and a lovely caramel-roasted banana topped with chunks of roast nuts. Texture, flavour, presentation all top-notch.


"Chocolate wine slush" is, as the description might suggest, a vaguely chocolate-y but mainly wine-y sorbet, paired with a salty caramel shortbread looking like a domino piece. With this our friendly barman had paired an Innis & Gunn oak-aged beer flavoured with maple syrup - the drinks list having clearly had the same level of care and attention as everything else. We also enjoyed, at various stages in this long, life-affirming afternoon, a Belgian blonde called St Stefanus and - more theatrically - a rum old fashioned finished with clouds of demerara-spiked dry-ice.


There were also petits fours - weeny chocolate cups of lemon (I think) cream. And even the coffee was good.


It was all rather overwhelming, and I mean that in the nicest possible way. The attention to detail made for some stunning food, but the monumental effort that must have gone into the dishes made me feel exhausted just thinking about it. How many sackfuls of potato must they have gone through to get those roasts so utterly right? How many combinations of meat and egg went into the development of the Scotch egg? How many duck farms and curing methods before they settled on that starter? It's boggling.


But the beauty of the Hinds Head - the sheer, blinding beauty - is that they've done all the hard work. All you need to do is rock up with a reservation and a wallet (oh yes, it's not cheap, but it is value) and let them do their thing. The charming Tudor building and equally charming staff (I'll forgive our French waitress not knowing what a shandy was; she didn't put a foot wrong otherwise) are just the icing on the cake of what is surely, unquestionably one of the best restaurants in the country. Ladies and gentlemen, this is how it's done.

10/10

EDIT: The petits fours were lime & ginger. Thanks Lizzie (read her report here)

Hinds Head on Urbanspoon

Monday, 7 February 2011

Dinner by Heston Blumenthal, Knightsbridge


If there existed a movie that all your best friends loved, had received rave reviews from every movie critic on the planet, and had smashed all box-office records, would you be interested in seeing it?

The answer seems obvious - of course you would, even out of sheer curiosity, and although there would be a risk your inflated expectations didn't quite match up to the reality, you wouldn't blame anyone but yourself, you'd probably still have a good time, and anyway what do you have to lose?


And yet for some reason, when a restaurant receives similarly universal praise, there are certain parties who, instead of wanting to see what all the fuss is about, instinctively brace to the opposite position, desperate to not debase themselves by accidentally having anything so trivial as a popular opinion. I find the psychology of this quite hard to fathom - why would you deny yourself the pleasure of a fantastic meal just to mark yourself as separate from the herd? There's no shame in liking somewhere good, even if everyone else likes it too. I can understand why you may get bored by the reams of gushing text on Twitter and press and food blogs of course, but to deliberately avoid somewhere just because it's popular, or - even worse - to set out determined to hate a place before you've taken your first bite in order to position yourself as the sole arbiter of "reason" and "perspective", seems incredibly arrogant. To repeat: there's no shame in liking somewhere good.

Sorry to start off this post on such a belligerent tone, but I promise my motives are benign - I just want to persuade as many people as possible, including - and in particular - all the nay-sayers and hype-averse and deliberate contrarians, to book a table at Dinner by Heston Blumenthal. I don't care if you're bored senseless with the coverage, if the merest mention of "meat fruit" turns your stomach or if you want to gouge your eyes out whenever you see the phrase "spit-roasted pineapple" - everyone should have a meal at this dazzling, spectacular, wonderful new restaurant.


We may as well start with the meat fruit - if I'm going to provoke the anti-hypists, I probably can't do much better than with this, the most exhaustively investigated dish. Looking for all the world like a slightly saggy but authentically textured tangerine, the fruit "skin" contains a subtly alcoholic, deliriously light and rich chicken and foie gras parfait, which spread easily on the crunchy rustic loaf provided. The orange wasn't just a visual trick either - the citrusy casing added a sharper note to the rich filling and made the whole that much more enjoyable. Unique and tasty and very impressive indeed.


Another starter of Hay Smoked Mackerel was no less accomplished. Some moist and fresh slices of delicately smoked mackerel fillets came nestled in a salty anchovy sauce and dressed with some bitter endive leaves and thinly-sliced pickled lemon. It was a combination of flavours and textures that showed a masterful technique but also, even more importantly, real imagination - a memorable and hugely enjoyable dish.


I don't know what strange alchemy Professor Heston had used to get these strips of pigeon breast so unbelievably tender and tasty, but the results were truly spectacular. With a rich ale sauce complimented with some sharp (and neatly carved) artichoke hearts, this was another completely stunning, expertly crafted dish.


This generously proportioned pork chop was grilled over charcoal to get a lovely smoky, crispy char and served over buttered cabbage. A much simpler dish than the others perhaps but no less tasty - I can't think of any restaurant other than London's top two steakhouses (Hawksmoor and Goodman) to use flame-grilling to such good effect - the fat was crisp and salty, the flesh tender and barely pink. Perfect.


If the starters and mains were impressive, desserts were out of this world. Taffetty Tart was a dish I'd been served in a slightly modified format at that Fat Duck last year, but here it was even better than I remembered, the carefully constructed layers of caramel and fruit paste served with a truly incredible blackberry sorbet. And yes, the spit-roast pineapple tasted every bit as good as its 30 minute cooking time would suggest (we had to order it along with the savoury courses to give them enough time to prepare), served alongside a heavenly alcoholic brioche "tipsy cake".


We never wanted it to end. In an effort to delay the inevitable, we dragged our heels with a very good British & Irish cheese board, and once that was polished off were pleasantly surprised with a final petit for of Earl Grey caramel with caraway seed shortbread to dip in it. Like everything else, it was carefully considered, artfully prepared and brimming with fun and invention.



There was, of course, the final matter of the bill. With only one glass of wine each it came to just short of £160 for two, which of course is not a cheap lunch, not by a long way. But it is no word of an exaggeration that the food at Dinner, while perhaps not as mind-bogglingly intricate and theatrical as the multi-course tasting menu at the Fat Duck, comes from the same wonderful place creatively and still felt like the bargain of the century once we'd paid up and rolled happily home. The sheer effort, attention to detail and astonishing skill that went into every single element of the dishes we ate on Saturday, as well as service from a front of house team that were as attentive and knowledgable as you could ever hope for, made the whole experience a complete joy from start to finish. It may be irritatingly over-exposed, it may be depressingly over-subscribed, but it's both those things for a very good reason. Believe the hype.

10/10

Dinner by Heston Blumenthal on Urbanspoon

Monday, 17 August 2009

The Tale of the Fake Heston Blumenthal


There is a person on Twitter who posts under the screen name @hestonblumenth. Foodies and fans alike were understandably excited when he joined in May this year, and he quickly gained a substantial following of 5000 or so people, including me. His posts initially seemed innocuous if slightly bizarre, mentioning what he'd had for lunch or his plans for the menu at the Fat Duck, and we all giggled along at his updates, imagining the mad professor character we'd grown to love from his TV shows, alone with a laptop late at night, spouting his eccentric philosophies in between mouthfuls of snail porridge.

And then gradually, his tweets turned slightly more sinister.

Lockerbie bomber Abdelbaset Mohmed al Megrahi should die in prison might not be a popular view but he is a terrorist and has no rights

what next release child abusers and give them new identitys oh hold on we have already done that with the bulger murders

my views are my views just because i have spent time in the public eye doesnt mean i cant believe what i want

Now I don't know Heston Blumenthal personally, only through his television appearances and his excellent cookbooks, but the Daily Mail-inspired, intolerant bigot that occasionally vented forth on Twitter seemed harshly at odds with the thoughtful, gentle and well-educated person who presented In Search of Perfection. Sensing something wasn't right, a fellow Twitter user @ianashworth emailed the front of house at the Fat Duck, and received a reply almost immediately. It wasn't him, and they were working to "hopefully" have that Twitter account disabled.

This was confirmed again at an event held by the Guardian newspaper for food bloggers and restaurant PR people, where Monica of Lotus PR - who represent the man himself - announced that he's not on Twitter but may be persuaded to join very soon. So, case closed, you might think.

Except in the brave new world of social media, it's never quite as simple as that. For whatever reason, the @hestonblumenth account is still active and still posting to its 5000-odd loyal subscribers such insightful gems as:

big brother should give them all a lethal injection as these people will not be missed they are all bed hoping fame whores

...and...

they were young but they tortured and killed they are not part of what i like to class as the human race just one mans opinion

So, believing I was doing a favour to Heston fans all over the world, I began to do my bit by @replying to a few of his followers whenever they popped up, telling them that his PA had confirmed that it's not him and that the real Heston would be Tweeting soon. And here is where this story gets even more interesting - in a significant minority of cases, rather than being pleased to have had this disagreeable impostor unveiled, I found myself on the receiving end of some pretty angry messages from people who decided to continue to believe, despite all evidence to the contrary, that it was indeed the real Heston:

Lovinf the non PR comments. Dont ever prove yourself - unless you want to give me a table. I got one once but was too ill!

"Don't ever prove yourself" - what an extraordinary thing to say. There's almost a religious zeal to this person's refusal to even entertain the idea that it isn't him, and not only that he's deliberately asking for the truth not to be revealed. He's happy as he is, ignorant and credulous. There's a parallel with the characteristics of those who claim spiritual faith that's impossible to ignore - who wants the truth when the lie is so much more comforting?

It is, however, only the minority that have reacted like that. Most are happy to accept the truth, and in some cases pretty relieved that this hate-fuelled caricature is quite distinct from the genius chef they know and love. And you may think I'm being a bit petty in taking this issue so much to heart, but I happen to genuinely admire Heston Blumenthal and his achievements as a chef, and when I see the damage being done to his image by some anonymous moron with a chip on his shoulder, it makes me wince. As of today, 5632 people are following the fake Heston's updates, a depressing number cheering on each reactionary outburst with a chorus of "Top man! You tell it like it is" and "Good with food and good sense, a winning combination. I totally agree with you.". Let's hope that Twitter get their act together and disable the account before any more damage is done.


On a lighter note, it's probably a good idea to end this post by listing just a few chefs who really are on Twitter and, to the best of my knowledge, aren't right-wing extremists:

Jamie Oliver
Tom Aikens
Mat Follas (Masterchef winner 2009)
Mark Hix
Nathan Outlaw
Antonio Carluccio

And here are some of my favourite restaurants:

St. John Smithfield
Vinoteca
Hawksmoor
Racine
Galvin @ Windows
Camino

Although to be quite honest, if you want informed and witty comment about the London dining scene you can do far worse than follow these people:

@oliverthring of Thring for your Supper
@eatlikeagirl of Eat Like A Girl
@hollowlegs of Hollow Legs
@FoodStories of Food Stories
@foodieguide of World Foodie Guide
@Silverbrow of Silverbrow On Food
@SimonMajumdar and @HERMANOPRIMERO of Dos Hermanos

And I suppose while you're here, you might as well follow me, too. Happy tweeting.

Edit: Removed one of the credulous Heston followers' comments after she started furiously DMing me. I tried to make the point that if you don't want something to be public, don't post it on a public forum. But there's no arguing with some people.

Edit 2: As of 21st August, the fake @hestonblumenth account has finally been disabled by Twitter.

Edit 3: And on 4th September, the Real Heston was finally welcomed to Twitter as @HestonFatDuck.